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Showing posts from August, 2022

All Down Darkness Wide by Seán Hewitt

  This is not a work of fiction, this is a memoir. This is truth, humanity, love and loss. Pain, anxiety, support, and empathy. Soul searching, risk, inaction and action. Identity, lies, hope and lust. Religion, translation, poetry and guilt, and all the while it is not fiction, and it will stay with you.

Actress by Anne Enright

  The picture on the front of this book is a fairly accurate representation of what you can expect from the writing inside.  The tone is dark and carries the mental dust of difficult memories, and as I was reading, I just wanted someone to turn the lights on and open a window.   I pulled this off the New Books shelf in the library and a little way into the book I flipped back to the copyright page just to make sure this had actually been written recently, and sure enough, it was published in 2020.  It just felt older somehow.  Years back, I read and enjoyed The Gathering that won the Booker Prize for Enright in 2007, and the writing style in Actress carries much the same formality and intelligence, but even the pivotal moments in the plot are delivered without much enthusiasm. The reader is given the story of Irish theatre legend, Katherine O'Dell, as told by her daughter Norah, and although Katherine experienced early stardom in Hollywood then we...

The Burgess Boys by Elizabeth Strout

  This one stirred my waters.  It rattled my tree and wibbled my wibbly thing.  I almost had flashbacks! It starts in a normal Strouty sort of way with nice conversations and people reminiscing about times past, but before I had time to get too settled, along came a teenager who, in the way that only teenagers seem to be able to do, did something so mindlessly stupid that everyone in the family got caught up in the fall-out. If you have not had occasion to try raising a teenager, you may not realise that they have a lot in common with unexploded bombs.  You think you know what you are doing as you navigate them towards the relative safety of adulthood (I mean, you know you need to try and keep them at a constant temperature and not hit them with heavy objects), but sometimes one of them will just blow!  If you are lucky it will just be the family car they take out, but they have potential for a lot of collateral damage. After the boy in the book has ca...

Oh William! by Elizabeth Strout

  For me, Elizabeth Strout's greatest strength lies in all the things she does not say. You journey with her through the whole panoramic human landscape of her stories, but you never once have to stop to wonder if the engine is working.  You don't have to read the signposts as you progress, because you always have confidence that she will bring you home and you will know more about being human than you ever did at the outset. With some writers, I can feel the mechanics of construction as I go along.  Sometimes there are actual, visible, engineering structures in books (give the reader a wave Lionel Shriver and raise your copy of Shall we go or shall we stay).  In other books the writer is so worried that we will miss the point that the narration is practically accompanied by flashing lights.  (Yes you, Isabelle Allende. Violetta was not your best work I'm afraid.)  Elizabeth Strout trusts the reader to quietly listen and allow the story to settle aroun...

The Sentence by Louise Erdrich

  Well this looks like a good one doesn't it?  Pulitzer Prize winning author and now this one showing a sticker for the long-list for the Women's Prize for Fiction 2022.  Bound to be a winner you would think?  Well, maybe, but maybe not. Stand by for me to embarrass myself by offering comments on a book written by Louise Erdrich. The first chapter was brilliant.  We meet Tookie, an American Indian with attitude and a firm belief in living life by her own rules. It's 2005 but she is partying like it was 1999.  She describes herself as an ugly woman who enjoys lying and her main talent is selling people useless things for prices they can't afford.  What's not to love?  The writing is witty and irreverent and I started to congratulate myself on finding another great book. Then I turn the page to chapter two.  Tookie is a changed woman (fair enough, a stint in prison can do that to a person) but Erdrich is crashing through major life events ...