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The Gustav Sonata by Rose Tremain


 

This week I had to turn to the one book on my shelves that I hadn't read because I haven't been well enough to get to the library to stock up.  I've had some sort of virus that may or may not have been Covid, but I'm pretty much over it now and I can get back to library books next week.

This one came from the bowls club second hand bookshelf and it cost me all of 25p.  The publication date inside is 2016, which is pretty recent for anything on the club shelves as most of the other books have had several anniversaries since arriving and should really go in the recycling bin.

The Gustav Sonata has a certain oddness or otherness about it that I can't quite define, but I know I am not like the people in the book.  I don't know if Rose Tremain always writes in such a clinical style, or whether she adopted that way of writing to suit the characters, but it's precise and unfussy in a way that seems right for Swiss people.

At the start of the book Gustav is a little boy who has just started to go to kindergarten, and he behave in a very controlled way as his mother Emelie has taught him to master himself and not let his emotions run away with him.  She tells him that this is what his father would have wanted, and Gustav has to take her word for it, as his father died when he was just a baby and the only other thing he knows is that his father was a hero.  Emelie is never able to show any love to Gustav and he lives his life wondering what it is she wants from him.

One morning at kindergarten the teacher asks Gustav to make friends with a new boy called Anton who is crying and has clearly not learnt how to master himself.  Gustav helps Anton to settle in and before long they become firm friends and Gustav asks Emilie if Anton can come to their flat to play.  Emilie allows this and even makes a nusstorte cake, but it isn't long before she takes against Anton and doesn't want him to come again.  Anton's father is a wealthy Jewish banker and they live in a large house with a grand piano that Anton is learning to play.  This is in stark contrast to the small flat where Gustav lives with his mother where they don't even have room for a table to use for their meals.

Despite their differences, Anton's family encourage the friendship because Anton is an anxious boy and Gustav seems to have a calming influence on him.  They invite Gustav to go with them to the mountains for a holiday and gradually take him under their wing because they can see that he has very little at home.  While they are away the two boys discover the derelict remains of an old sanitorium hospital and devise a game where they invent patients and then decide if they will live or die.  The game takes on a great importance in their lives and even in adulthood they think back to it.

There is a great complexity to all the characters and very little happiness, but the story is compelling and very well constructed and written.  There is great power in what is left unsaid, and Rose Tremain seems to have mastered that skill by just setting out the essentials and leaving the reader to make of it what they will.

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